He was born in Padua in 1975, where he currently resides and works. He began his artistic career as a musician, playing in a band until 2008, the year in which he became interested in the world of painting, a passion that he has always carried over the years and which came to fill a void after the folding of the group. His self-taught approach allowed him to consolidate virtual and experimental compositions without following a precise method of operation, but attesting his character through a language close to the world of street art. Consequently, it paved the way moving him into painting using a wall rather than a canvas as a support, always conceiving works of art as a purely emotional vision. His works began to be characterised by a multiform style in which anthropomorphic characters come to life, animals that get confused with man, where nature makes poetry. The use of materials such as the spray can, a typical hallmark of the writers of the world, the fast stroke and gesture in the composition, mark Tony Gallo among the new artists who look upon a path that brings the distinctive stamp of an emotional art, in which the characteristic of poetry, magic and feeling blend with the colours and the harmony of a universe created by the author’s imagination. The new means of global communication, such as social networks have enabled a rapid spread of the collective unconscious of the artist’s media recognition, thus creating a visibility that soon gained space and approval by, initially, the local Paduan community, and then the street environment and the art world, where the first affirmations arrived. The sensitivity of his characters that watch the viewer in a calm and mute manner, has become a unique symbol of a silent and attentive generation that thrives on dreams and expectations. These representations arrive at the heart of the city that is populated within the walls on which his figures are coloured, thus arriving at a collective identification.